Rating – 9
Music Director – Shashwat Sachdev, Charanjit Ahuja, Roshan, Lal Chand Yamla Jatt, R.D. Burman, Bappi Lahiri
Lyrics – Hanumankind, Jasmine Sandlas, Babu Singh Maan, Irshad Kamil, Sahir Ludhianvi, Lal Chand Yamla Jatt, Raj Ranjodh, Reble, Majrooh Sultanpuri, Indeevar, Simran Choudhary
Film Director – Aditya Dhar
Film Release – 5 December 2025
The Dhurandhar (2025) soundtrack, composed and produced by Shashwat Sachdev, redefines the integration of music in a gritty spy thriller. Rather than relying on standard background scores, the album reinterprets vintage Hindi and Punjabi classics—such as Roshan’s iconic qawwali “Na Toh Karvan Ki Talaash Hai” and R.D. Burman’s disco hits—by layering them with contemporary hardcore hip-hop, heavy industrial bass, and EDM. These “reinventions” are inextricably woven into the film’s narrative: “Ramba Ho” is transformed into a sinister theme for the ruthless Rehman Dakait (Akshaye Khanna), while “Ishq Jalakar – Karvaan” serves as the philosophical backbone for the lead, Hamza Ali Mazari (Ranveer Singh).
The soundtrack draws from a diverse range of global influences, including Irish folk in the track “Ez-Ez” and metal riffs in character entry themes, creating a cinematic adrenaline that pushes the storytelling forward during high-stakes chase sequences and gunfire. This intentional blending of nostalgia and modern genre-defying production—featuring artists like Hanumankind, Diljit Dosanjh, and Reble—helped the album achieve historical success as the first Bollywood soundtrack to have all 11 tracks chart simultaneously on the Spotify Global Top 200.
The “Dhurandhar Title Track” is a high-octane anthem that serves as the “heartbeat” of the 2025 spy thriller Dhurandhar. Composed by Shashwat Sachdev and Charanjit Ahuja, the song is a bold “reinterpretation” of the 1995 Punjabi folk classic “Na De Dil Pardesi Nu”. It features an eclectic vocal powerhouse, including the Indian-American rapper Hanumankind, whose gritty English verses explore themes of power and the “blessing and a curse” of a dangerous reputation. Joining him are Jasmine Sandlas, Sudhir Yaduvanshi, and original singers Muhammad Sadiq and Ranjit Kaur, creating a bridge between traditional Desi roots and modern industrial hip-hop.
Musically, the track is characterized by explosive sound and cinematic power, blending heavy percussion with high-energy Punjabi beats. Within the film’s narrative, the song acts as a “war cry,” fueling the intensity of lead actor Ranveer Singh’s fierce screen presence during pivotal action sequences.
“Ishq Jalakar – Karvaan” is an emotionally charged “modern qawwali” that serves as a pivotal anthem in the 2025 spy thriller Dhurandhar. Composed by Shashwat Sachdev, the track is a powerful reimagining of the iconic 1960 song “Na Toh Karvaan Ki Talaash Hai” from Barsaat Ki Raat, originally composed by Roshan with lyrics by Sahir Ludhianvi. This new version blends classical Indian depth with “modern aggression,” featuring high-octane synth-pop and industrial elements.
The song is primarily headlined by Shahzad Ali, whose “thunderous vocal fire” is complemented by Subhadeep Das Chowdhury, Armaan Khan, and Shashwat Sachdev himself. Lyrically, Irshad Kamil integrates new verses with Ludhianvi’s timeless poetry, emphasizing themes of heartbreak and self-destruction through the recurring line “Main ishq jala kar aa gaya” (I have come after burning my love). Within the film, the song captures the “visceral journey” and inner turmoil of lead character Hamza Ali Mazari (Ranveer Singh), often cutting through the noise of intense action to provide a spiritual and rhythmic center.
“Gehra Hua” is the soul-stirring romantic centerpiece of the Dhurandhar (2025) soundtrack. Composed and produced by Shashwat Sachdev, the track features the hauntingly beautiful vocals of Arijit Singh, paired with additional vocals by Armaan Khan. The song is noted for its “minimalist but deeply atmospheric” arrangement, utilizing ethereal synth textures and a subtle rhythmic pulse that reflects a sense of growing emotional depth.
Lyrically, Irshad Kamil crafts a narrative of “unfathomable love and longing,” using the metaphor of sinking deeper into an emotional abyss. Unlike the high-octane industrial tracks elsewhere in the album, “Gehra Hua” offers a moment of “vulnerable calm,” serving as the emotional anchor for the film’s lead characters amidst the surrounding chaos of the spy-thriller narrative. It is one of the best romantic ballads of 2025, with seamless fusion of Arijit’s classical sensitivity with Sachdev’s contemporary electronic production.
“Teri Ni Kararan” is a high-energy “reimagination” of a legendary Punjabi folk classic, serving as a standout dance anthem in the 2025 film Dhurandhar. Composed and produced by Shashwat Sachdev, the track ingeniously samples the original 1960s recording by the “King of Folk” Lal Chand Yamla Jatt, layering his iconic raw vocals over a heavy, modern industrial trap and electronic soundscape.
The song is headlined by Diljit Dosanjh, whose contemporary Punjabi flair creates a dynamic “dialogue across generations” with Yamla Jatt’s archival performance. Lyrically, the track retains the spirit of the original folk verses while adding a modern edge that mirrors the film’s gritty, high-stakes atmosphere. In the movie, “Teri Ni Kararan” is used to energize a key sequence, blending cultural nostalgia with the film’s signature “cinematic adrenaline.” Critics have praised the track for its technical brilliance, particularly the way Sachdev preserves the soul of the vintage recording while making it a modern club and chart-topping hit.
“Ez-Ez” is an experimental, genre-bending track from the Dhurandhar (2025) soundtrack that showcases Shashwat Sachdev’s innovative production style. The song is a rare “cross-continental collaboration,” featuring the powerhouse vocals of Diljit Dosanjh paired with the gritty, rapid-fire English rap of Hanumankind.
Musically, the track is distinct for its fusion of Irish gang-folk influences—characterized by rhythmic stomps and aggressive acoustic textures—with a heavy modern industrial beat. Lyrically, the song combines Raj Ranjodh’s sharp Punjabi verses with Hanumankind’s exploration of the “dark side of power,” mirroring the film’s international spy-thriller setting. In Dhurandhar, “Ez-Ez” functions as a high-stakes anthem, often driving the kinetic energy of the film’s globetrotting action sequences. Critics have hailed it as a “technical marvel” for seamlessly blending traditional folk energy with contemporary global rap.
“Run Down The City – Monica” is a high-octane “industrial-disco” fusion that serves as a standout track on the Dhurandhar (2025) soundtrack. Composed and produced by Shashwat Sachdev, the song is a creative reimagining of the iconic 1971 track “Piya Tu Ab To Aaja” from Caravan, originally composed by R.D. Burman. It ingeniously samples the legendary vocals of Asha Bhosle, weaving them into a gritty, modern soundscape dominated by heavy basslines and aggressive electronic production.
The track features the fierce, rapid-fire rapping of Reble, who provides new English verses that contrast sharply with the nostalgic disco elements. Lyrically, the song explores themes of power and pursuit, perfectly mirroring high-stakes urban chase sequences. “Run Down The City” functions as a high-energy anthem that bridges the gap between classic Bollywood nostalgia and contemporary global hip-hop.
“Shararat” is a sultry and “deliciously menacing” dance track that highlights the darker, more mysterious side of the Dhurandhar (2025) soundtrack. Composed and produced by Shashwat Sachdev, the song is characterized by its high-tempo electronic production and heavy industrial synth pulses, creating a “cyber-punk” aesthetic that stands out in the album.
The song is headlined by Jasmine Sandlas, whose signature “rebellious and husky” vocals are paired with the ethereal backing of Madhubanti Bagchi. Lyrically penned by Sandlas herself, the track explores themes of mischief, danger, and self-assured power, perfectly complementing the film’s gritty spy-thriller atmosphere. Visually, “Shararat” is used to underscore high-tension underground sequences, serving as a “sonic fuel” that bridges high-fashion glamour with cinematic violence.
“Move – Yeh Ishq Ishq” is a high-octane “industrial qawwali” that serves as the explosive grand finale of the Dhurandhar (2025) soundtrack. Composed by Shashwat Sachdev, the track is a bold reimagining of the 1960 classic “Yeh Ishq Ishq Hai” by Roshan and Sahir Ludhianvi. It features a legendary vocal performance by Sonu Nigam, who recorded his portion in a single high-energy session just days before the film’s release, delivering a rendition marked by “full force, rage, and high notes”.
The track is uniquely structured as a “clash of eras,” blending Nigam’s soulful, traditional high notes with the sharp, aggressive English rap of Reble. Lyrically, it recontextualizes the original love song into a patriotic anthem of sacrifice, mirroring the internal turmoil of lead character Hamza Ali Mazari (Ranveer Singh) as he chooses his country over personal loyalty. Within the film, the song underscores the final high-stakes face-off between Singh and Akshaye Khanna, driving the narrative to a cinematic crescendo that leaves the audience in a “trance”.
“Naal Nachna” is a high-tempo club anthem from the Dhurandhar (2025) soundtrack that seamlessly blends traditional Punjabi energy with modern industrial hip-hop. Composed and produced by Shashwat Sachdev, the track is anchored by the powerful, earthy vocals of Afsana Khan, which are sharply contrasted by the rapid-fire English verses of rapper Reble.
Lyrically, the song utilizes Irshad Kamil’s poetic Punjabi folk sensibilities to create a narrative of defiant celebration amidst chaos. Musically, it is characterized by heavy, distorted basslines and aggressive percussion, maintaining the soundtrack’s signature “cinematic adrenaline.” In the film, the song serves as a high-stakes background score for a vibrant but tense sequence, reflecting the film’s global spy-thriller aesthetic.
“Ramba Ho” is a sinister and high-octane reimagining of the 1982 disco classic from Armaan, serving as the definitive theme for the antagonist Rehman Dakait (played by Akshaye Khanna) in Dhurandhar (2025). Composed by Shashwat Sachdev, this version transforms the original Bappi Lahiri dance track into a “dark, industrial powerhouse” by sampling Usha Uthup’s iconic vocals and layering them over heavy electronic beats and gritty synth pulses.
The track features the haunting and versatile vocals of Madhubanti Bagchi, who adds a layer of modern mystery to the “vintage fire” of the original. Lyrically, the song retains the infectious energy of Indeevar’s classic verses but recontextualizes them to reflect a sense of impending danger. Within the film’s narrative, “Ramba Ho” underscores the ruthless power and calculated menace of its villain.
“Lutt Le Gaya” is the atmospheric closing track of the Dhurandhar (2025) soundtrack, offering a haunting blend of traditional Punjabi folk and contemporary ambient production. Composed and produced by Shashwat Sachdev, the song is headlined by Simran Choudhary, whose “ethereal and soul-piercing” vocals provide a stark, melodic contrast to the high-energy industrial tracks found earlier in the album.
Lyrically, the song—penned by Choudhary herself—explores themes of surrender and emotional dispossession, capturing the “devastating aftermath” of the film’s intense spy-thriller conflict. Sachdev uses subtle electronic textures and a slow-burning rhythm to create a sense of lingering melancholy.
